The dynamic local music scene you've probably never heard of (but will).

“Make some noise for yourselves, not for us. We wouldn’t be shit without all you motherfuckers,” growls Paco, vocalist of local metal band Only Nightmares, during their set at Goodfellas in Springfield.
Metalheads gather to the left of the stage, smoking cigarettes and drinking PBR tall boys. To the right, bar regulars play pool and drink whiskey. Directly in front, fans - both male and female - rock out, moshing and throwing horns. Up on stage, Only Nightmares take out their aggression through their music – loud, fast, deep heavy metal that reverberates off the walls of the dive bar.
Goodfellas is one of many local venues that regularly features bands from Eugene’s metal scene - a scene that, while still somewhat underground, is growing rapidly. Fans and musicians comprise a tight but open community that has spawned talent from a variety of metal genres, from death to doom to thrash and everything in between.
“It’s metal, but it’s also a brotherhood that we’re forming,” Paco says of the local metal scene. “This is our family. These guys [in Only Nightmares] are my brothers… It’s giving people a way to vent, you know. People will automatically think, 'oh, metal, stigma,' but we’re actually trying to get people together and have a good time.”
Local metalheads have shown over and over that their goals are not anger or alienation. “They’re really respectful of each other and really polite, which really creeped me out at first,” says Andy Larson of Monday With A Bullet. “At punk rock shows, which is mainly my background, they’re spitting on each other, saying ‘fuck off’ and whatever. There’s not as much of that here. They’re here for the music, not the party, which is so much better.”
While there are definitely cliques within the scene, for the most part the bands and fans make up a pretty close community. The terms “brotherhood,” “solidarity” and “family” are thrown around constantly. And because of the small number of bands and venues, groups of varying metal genres often play together on the same bill with harmonious results.
“We love the music," says Tobby Lugo of Grynch and We Have Guns. "We just want to go up there and headbang, go in the mosh pit a couple times.”
The downside of the close-knit community is that rumors and gossip spread like wildfire. For example, when Boots of New World Sinner’s former band Severein broke up, it didn’t take but half an hour for the first MySpace message to roll in: “Dude, I heard.”
“You’ve gotta be careful what you say because you represent your band wherever you go,” says Angie Anderson of New World Sinner.
The majority of the bands in the Eugene scene feel a sense of camaraderie and help each other out in any way they can. Bands help each other book gigs and loan each other equipment at shows in times of need, says Nick Harris, who is currently in three local bands - Digital Violence, Side of Right and Desteria. Larson says that most of the time, Monday With a Bullet doesn’t even book its own shows; instead, other bands ask them if they would like to play.
“You’ll see a lot of the same bands on the same bill a lot,” says Blake Owens of Northwest Royale. “It’s a real grassroots thing as far as I can tell. It’s the same thing as it was when we were first coming up. Bands just call each other - ‘Hey, what are you guys doing this weekend? Want to
get a show together?’”
Approximately 20 bands rent storage units at West 11th Archery as practice spaces. “In my opinion, the heart of the Eugene metal scene stems from the West 11th Archery jam rooms,” Harris says. “Almost every single garage there is home to a band...I started jamming out there around 2001 and I met a bunch of cool people. I’d just be hanging out there [and ask,] ‘Oh, nice guitar, can I play that?’ or ‘Can I beat on your drums a little bit?’ So I know a lot of people that way.”

News of upcoming shows spreads mostly by word of mouth. Venues usually place show listings in the Eugene Weekly, but bands are now employing more aggressive promotional tactics to draw in new metalheads. Local metal band The Athiarchists have started what they call “rogue flyering” for their upcoming CD release party: grabbing handfuls of flyers and posting them everywhere, even in the bathrooms at WalMart and Fred Meyer. But overall, band MySpace pages are considered the best way to promote as they list all upcoming show dates and can be updated regularly.
The radio provides another outlet for getting out the word on metal happenings, especially KFLY FM’s Local Lixxx, which announces upcoming shows in addition to keeping an online concert calendar and message board.
“I like to think of Local Lixxx as the bat signal of local metal,” DJ Carl Sundberg says. “I want to provide a forum for local bands to get their words, ideas, shows and music out there.”
One of the best ways for local metalheads to find shows is just to show up at venues and see what’s going on. The Downtown Lounge, John Henry’s, Samurai Duck, the Black Forest and now the Oak Street Speakeasy all host local metal shows on a semi-regular basis.
“I think there was only one time that I went out on the weekend looking for a show and didn’t find one in the whole three years I’ve been really involved in the scene,” Boots says.
Of all the venues that host live metal shows, Samurai Duck is far and away noted as everyone’s favorite.
“Everyone keeps referring to Samurai Duck as the heavy metal Cheers,” says Abe Nobody of Rye Wolves. “Our town is small enough where we can all give each other a smile and a nod.”
Samurai Duck has live shows every weekend and often during the week, and when there is not a band playing, metal blares through the stereo. A television flickers behind the bar, a picture of Dimebag Darrell taped to the screen. It has not been turned off since the day he was fatally shot in 2004.
“Samurai Duck is the only bar that caters to nothing but metal,” says Brandon Dunnavin of Only Nightmares. “Fuck hip hop, fuck making a bunch of money, we want to have a place just for metal. That’s the only place here that’s done that. I’d like it if they’d upgrade their toilet facility, at least get the door to close, but that’s metal.”
The biggest problem with the Eugene metal scene is the lack of all-ages venues. Other than the WOW Hall and the McDonald Theater, the only other regular venues are bars.

“It sucks all around for everyone,” says Albert Evans of Ladon. “You have the WOW Hall that charges out the ass to rent for shows and is very selective on who they let in. The McDonald Theater is going under and still won't cater to local metal bands. You have a couple of community halls in town like the Irvine Grange Hall, but the locations really suck for kids to get to and you always risk the cops shutting you down.”
Samurai Duck plans to become an all-ages venue, says Stephanie Osburn, who is in charge of booking at the Duck, but it will be a long and expensive process, mainly because as it stands, alcohol is visible from everywhere in the bar. The entire bar will need to be remodeled before it can be opened up to minors.
The main reason metal bands have a hard time finding venues that will host all-ages shows is the stereotype that metalheads are violent or unpredictable. “They think all the kids are going to go crazy and start breaking shit and starting fights,” says Wes Beanblossom of Tormentium. “Metal is an insurance liability.”
But Osburn says that she rarely sees problems at the Duck. “The metalheads are the nicest group of people,” she says. “You see your brother or sister get knocked down in the pit and people pick them up, dust them off, make sure they’re comfortable and everything’s okay...They just want to keep it a calm scene. They want to make sure they continue to have a place to play and enjoy.”
Even though Eugene is a college town, Aaron Tunnell of the Athiarchists says that he rarely sees people from the university at shows. The lack of college students could be partially due to the shortage of outside promotion. Last fall, Lugo attended an open seminar at the WOW Hall with members of the local media and asked the Eugene Weekly why they continued to downplay the local metal scene. Their response? According to Lugo: “Who’d want to listen to that anyway?”
But apparently a lot of people do, as the Eugene metal scene continues to flourish and keeps growing with more bands, more shows and more venues.
“I have always felt like metal is in my heart, (and) the bands here in Eugene have put it into my soul,” says Aimee Manley, a local metalhead. “I just hope that someone reads this and decides to take a chance and come out and see a local show and pass the word. It's our scene to make bigger and we are the ones that can launch the bands here to greater things beyond.”

Photos, top to Bottom: Mitch and Paco of Only Nightmares; Shane Hepner of Monday With a Bullet; Boots, Nick Marquez and Angie Anderson of New World Sinner; Ray of Tormentium headbangs to New World Sinner's set at Samurai Duck.
Published in the Oregon Voice

1 comment:
Last fall, Lugo attended an open seminar at the WOW Hall with members of the local media and asked the Eugene Weekly why they continued to downplay the local metal scene. Their response? According to Lugo: “Who’d want to listen to that anyway?”
I can promise you that neither of us on that panel who were from the Weekly said that. (It's entirely possible the speaker had one of us mixed up with another person on the panel.) But that's actually not why I stopped to comment; I stumbled across this piece via Google and I'd like to talk to you about maybe writing an occasional music piece for EW. Drop me a line if you're interested (molly [at] eugeneweekly [dot] com)?
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