Thursday, September 27, 2007

Lordi: "Bringing Back the Balls to Rock"




Not many bands that have performed at Ozzfest alongside Lamb of God and Ozzy can say that they have something in common with ABBA and Celine Dion. Not many bands that were once shunned by their entire country can sell their own brand of cola and candies a year later.

But Lordi can.

Since its first live show in 2002, Lordi has mesmerized audiences with its energetic hard rock, horror-inspired costumes and extravagant pyrotechnics. In 2006, Lordi shocked viewers all over Europe as it represented Finland in the annual Eurovision Song Contest.

There used to be a saying that hell would freeze over before Finland would win Eurovision, Europe's oldest and most-watched televised music competition with 37 participating countries and an audience of up to 600 million each year. Not only did self-proclaimed “monsters of rock” Lordi win both the semi-final and the final, the band's anthem, "Hard Rock Hallelujah," also received the highest score in the 50-year history of Eurovision.

Although Finns were initially skeptical about the image of their country that a metal band in monster costumes would present to the rest of the world, opinions changed dramatically once Lordi's song became a success at Eurovision.

“When we actually went to the finals at Eurovision, the whole thing changed,” says Lordi's vocalist Tomi Putaansuu, who goes by Mr. Lordi when in costume. “Over one night we became national heroes and just the other day we were national shame.”

After Lordi's Eurovision victory, the band received an award for exemplary work from the Finnish president and a square in Putaansuu's hometown, Rovaniemi, was renamed “Lordi Square.” By breaking Finland's 40-year losing streak at Eurovision, Lordi had helped its home country gain international recognition.

For a hard rock band like Lordi to win the Eurovision Song Contest was a surprise to many viewers, as the contest normally showcases what Putaansuu refers to as “brainless pop.” Occasionally, however, Eurovision can help more progressive artists gain publicity. “The first band that was really different here was ABBA in the 70's and then I think the next one was Celine Dion in the 80's, and then there was us,” Putaansuu says. “It seems that every 10 or 15 years there is something that really makes a difference.”

Despite the popularity Lordi gained from Eurovision, Putaansuu notes that the band is glad that it is over. “Even though it opened really good windows and opportunities for us, in some ways it's already like a really big burden,” he says. “There has been enough Eurovision for one rock band's career already. We were a rock band before Eurovision and we continue to be a rock band after.”

Lordi formed in 1992, but it took Putaansuu ten years to find a record label willing to sign the band. “No record label really understood the whole concept,” he says. “They thought that the music was crappy but the image was good or the music was good but the image was crappy.”

While at first glance Lordi appears to be just another hard metal band, its music is actually far more melodic than the monster image may imply. It can best be described as heavy metal meets 80's hard rock with killer guitar riffs and catchy choruses. Among the band’s influences are Kiss, Alice Cooper, Twisted Sister and W.A.S.P. According to Putaansuu, a paper in Europe “intentionally misheard or misunderstood” Amen, Lordi's guitar player, and quoted him as saying that Lordi is better than Kiss or Alice Cooper. “Now some parts of the media are taking up on that and are really trying to provoke Alice Cooper and Kiss fans,” Putaansuu says. “There are thousands of other interviews where we say they are our big idols and then there's this one where it says that we are better than them, which is something that we never would have said. But, of course, that creates a scandal and sells papers.”

Lordi played its very first show five years ago at a major venue in Helsinki, just after its first album was released.

“For a band like this to go out and play before the album was out in little clubs would have definitely watered down the whole thing. It has to be kind of 'big' from the get-go,” Putaansuu notes. “Of course, that was a huge gamble in a way, but it paid off.”

It was at this very first show that Putaansuu’s worst pyrotechnic mishap occurred.

“Of course when you have pyrotechnic shit something happens every once in a while,” Putaansuu says. “I have this dynamite stick on stage that I point to the audience and it shoots fire and explodes over the audience, but I was holding it upside down, so it actually blew to my balls! But then again, I have lots of leather and latex covering me, so I just felt the warmth for a little bit. All the costumes are so thick and heavy and they are made of rubber so they are not flammable at all.”

Lordi's costumes, made from a layer of latex over foam rubber and leather, are influenced by a variety of its favorite bands, horror films and comic books, including Kiss, Alice Cooper, Freddy Krueger, Leatherface, and the Incredible Hulk. “I like to think that I have taken a little bit of each of my favorite monsters and put them all up together,” says Putaansuu.

Although the Lordi characters always remain the same (a mummy, a bulltaur, a vampire countess, an alien manbeast and Mr. Lordi as “The Most Fearsome Khan of All”), their outfits are redesigned for each new album and need constant repairing. “It's prosthetic makeup really, not costumes, so it's not meant to be used day after day after day,” Putaansuu says. “So, of course we need to do constant repairing all the time...like every two days or so.”

While wearing costumes onstage sets Lordi apart from most metal bands, it takes a significant time commitment to get into character. Putaansuu spends five hours putting on his makeup and costume to before each show and ninety minutes afterwards to take it all off.

The band members repeat this process before all photo shoots, interviews and performances because they refuse to show their real faces. In 2005, a Finnish tabloid posted photographs of the band members without their makeup, causing a huge backlash from fans.

“[How we look is] not relevant at all. That's not the band, that's not what the whole concept is about,” Putaansuu says. “If you go to Disney World, how cool would it be if Goofy took off the head?…Our fans are really, really strict on this. They don't want to know about our personal life and they don't want to know about the way we look because they are fans of our characters and our music and this band, but not of our civil personas.”

Despite, or perhaps because of, never having been seen without their costumes, the Lordi characters have become sex symbols in some countries. “I don't know what it is about them but the thing is, the uglier you are, the more girls you get,” Putaansuu says. “Think of Lemmy Kilmister from Motorhead or even Gene Simmons. He’s not the prettiest boy on the block.”

Because Lordi is so heavily influenced by the horror genre and Putaansuu is a former film student, it seems only natural that the band would create horror films of its own. In 2004, Lordi released a short film Called “The Kin” on the album Monsterican Dream. In February 2008, its first full-length horror film, will be released. The film, titled “Dark Floors,” stars a young autistic girl who must save the world from a monster attack. Putaansuu wrote the script and designed the monsters for "Dark Floors," which will be directed by Pete Riski, Putaansuu's best friend since childhood, and filmed by Jean Noel Mustonen, who has shot all of Lordi's music videos. “Dark Floors” will not be released in US theaters but Putaansuu hopes that it will eventually be distributed in the US, at least on DVD.

To add to its music and film repertoire, Lordi has taken after its heroes Kiss and created a variety of different Lordi merchandise. “I've always thought that it doesn't take anything away from the band and it's the other way around if you have something else on the side, even though the band and the music is the main thing,” Putaansuu says. “It just makes the thing bigger.”

Finnish fans can buy Lordi-brand cola and a variety of Lordi candies. Copies of the single “It Snows in Hell” (a tongue-in-cheek reference to those who believed Finland would never win Eurovision) can be purchased at Finnish post offices. Lordi even has its own restaurant in Finland, Lordi's Rocktaurant, serving what Putaansuu refers to as “all the good stuff,” including reindeer, steaks, burgers and a la carte food.

Lordi has definitely come a long way since 1992. With a new album out in 2008 and the plans for more tours on more continents, Putaansuu is optimistic about the future of the band.

“Lordi has been going on for 15 years already so I don’t see us stopping,” he says. “It’s the only thing I know how to do and the only thing I want to do. As long as there’s a record label who wants to put out our music and as long as there are venues and people who want to see us live, I think the future is bright.”

Published in the Oregon Voice

Thursday, September 20, 2007

Warped Tour 2007


The Vincent Black Shadow
Robbie Kirkham, guitars

How would you describe your sound?
I like to describe it as gonzo music because my writing idol, who is Hunter S. Thompson, the late great Hunter S. Thompson, called his journalism "gonzo journalism," and it was basically based on the fact that when he would write a book or a collection of something, it would be autobiographical, it would be fictional, it would be letter writing, it would be poems, all mixed into one thing, all into one medium. Essentially what we do is we take from rock, pop, jazz, metal, anything we love and we sort of mush it into “our” sound. So rather than saying, "we're kinda like rock-rap-punk-funk-jazz-soul-metal," you know, we just say it's gonzo music, which means we take from styles and make them our own.

Where do you draw your inspiration?
It comes from wanting to be different. I’ve always – when I was young all the way to now – I was always a weird kid. Whenever my brothers would show me music, it was like, “here, listen to this. You’re weird, you’ll like this.” Primus, Oingo Boingo, Devo, B-52s, stuff that was like, “everybody is listening to this, I’m going to go over here.” I have the same approach to the way I dress, the way I act and the way that my music comes out, because who wants to be the same as everyone else? I mean, everybody wants to be different but they want to be different in a conformist sort of way, you know what I mean? Like, “I’m gonna be different by getting the same haircut that everybody has.” All my musical influences have come from people like Mike Patton, Glen Dazing, Les Claypool, Fiona Apple, people who were the badass in their own way. It’s just like, I’m going to do what I want to do and if it means the end of my career, whatever. If it was the way I wanted to do it, cool.


Killswitch Engage
Joel Stroetzel, guitars

How would you describe your sound?

It's kinda heavy but kinda goofy; kinda melodic, I guess. A bit of everything.

What do you think is more important: a killer live show or a great album?
It's hard to say. Thing is, if you don’t really have a good record, people aren't going to come to your live show, and if you don’t have a good live show, they're not going to buy your album. They kinda work together I guess. But, I mean, as far as building up a kinda grassroots following, doing it yourself, I guess having a live show and just playing as much as you can is probably more important. Thing is, it's really hard to make money selling records, to make a living like that today, because nobody buys records any more. It's all download and iTunes. If you have a good live show and you can sell some t-shirts, you make a living that way.


Street Drum Corps
Adam Alt, Bobby Alt, Frank Zummo

How would you describe your sound?
Bobby: Beautiful noise! It’s high energy drums. We’ve got everything now though. Our sound is heavily drums, but now we have vocals, we have other instruments – a theremin, I think our friends played some guitar on this new record we have coming out, bass, keyboards, lots of programming. It’s all there.

Where did the concept for SDC originate?
Bobby: Mainly from street drumming, All of us were playing theme parks and private parties for years, playing hand drums, buckets, garbage cans, drum sets.
Adam: Bobby and I had a show called Experiment, Frank had show called Re-Percussion.
Bobby: We kinda joined forces 3 or 4 years ago and started doing work and ended up on the Warped Tour, Taste of Chaos, on the road with The Used, 30 Seconds to Mars, Matisyahu, little bit of everything now.

What do you use to make music?
Bobby: Everything from regular household appliances to things you might find in the garage – grinders, pieces of motorcycles and cars, real drum sets, electronic instruments, buckets ...
Adam: Trash cans
Frank: Marching drums
Bobby: Everything from a junkyard to a drum shop.

Red Jumpsuit Apparatus
Ronnie Winters, vocals


How would you describe your sound?

Basically, as stupid as it might sound, we kinda consider our CD to be like an iPod Shuffle. We tried to cover a lot of different things from piano rock to screaming metal to punk rock to power ballads, so that’s how we kinda consider it, if that makes any sense.

What would you say is your biggest accomplishment as a band to date?
Well, we did a tour called the Take Action tour in February/March. It’s a tour to raise aw
areness about youth suicide. They give out free samplers and if you put it in your computer, you have the option to become a youth counselor. On the tour that we headlined, there was a 500% increase in people that not only put the CD in but signed up and took the course than all of the existing years of the tour put together. I think that was pretty rad. That’s probably the best thing that we’ve done so far.


Still Remains
Jordan Whelan, guitar

How would you describe your sound?

Anything diverse. If you like bands like HIM, In Flames, Stone Temple Pilots, I think you'd like Still Remains.

How has Warped been so far?

It’s a great opportunity for us to tour with bands and meet bands that we would never tour with otherwise. There’s a band on tour called the Rocket Summer, an incredible band bu
t Still Remains would never tour with the Rocket Summer on a regular tour! So it’s cool for us, it’s cool for the fans.

Do you prefer the creative process of writing the music and seeing it all come together or playing it live and watching the crowd’s response?
I love playing live and I love being on tour, but for me, the most accomplishing feeling is b
eing in the studio and making something out of nothing. It’s obviously not the same as birthing a child, but it’s the same sort of thing. It’s like taking your thoughts and ideas and composing them and compressing them and making this beautiful piece of work. So definitely the creative process is my favorite part about it.


Chiodos
Jason Hale, guitar and Matt Goddard, bass

How would you describe your sound?
Jason: Diarrhea
Matt: It’s a mixture of a bunch of stuff. I don’t really know.

How has Warped Tour been so far?
Matt: It’s been great, just really hot. I cant wait to get back to my own toilet. [To Jason] Why are you looking at your…[Jason holds up his finger after picking his nose] Oooooh, gross! Um, I’m looking forward to not being in a bus on Warped…that’s gross. I’m seriously distracted by that, I cant stop looking at it.

Is there anything else you’d like to say?
Jason: Halo rocks!
Matt: I can’t even think straight right now we’ve been playing Halo so much today. One day we were driving and we played for 4 hours straight. I had to pee so bad but I couldn’t get up.


The Matches
Shawn Harris, guitar/vocals

How would you describe your sound?

I have no idea what the description comes up as.

So tell me a bit about co-directing your new music video for "Salty Eyes."
I co-directed it with my art partner and our manager and this guy who was the Director of Photography for the video. It basically came about because we shot our video for this album, Papercut Skin, which came out about the same time as the album. Being on an indie label, you pretty much get a bunch of promo videos. We had this concept for "Salty Eyes." It was an appropriation of the Bob Dylan "Subterranean Homesick Blues" video, and we had this really good spin on it that went with the song perfectly. We ended up making it for less than $1,000. We wound up finding all the TVs in junkyards ourselves. We collected between 50 and 100 televisions that all worked and practiced for a week using cardboard boxes. We finally shot it all in one take. There are no cuts; it's one take straight through. We had one chance to get it right.


Hawthorne Heights
Eron Bucciarelli, Drums

How would you describe your sound?
I would describe it as rock with emo inflences, pop-rock influences, hardcore influences, metal influences, classic rock, pop, the whole spectrum. I think at it's core, it's rock music, but if you listen hard enough, you’ll be able to pick out where were drawing inspiration from.

What’s life on the Warped Tour like?
Its like camping. It's long, hot days. You've gotta figure out when you’re gonna eat, when you’re gonna shower, and sometimes the facilities are just as good as camp facilities. But it's really fun. There’s a lot of really great bands here that we’re friends with and that we’ve become friends with and the crowds are amazing. You cant beat the crowds. Warped tour is the best summer festival out there, hands down.


Published in the Oregon Voice